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Stevenson R L A Footnote To History Eight Years Of Trouble In Samoa

Teaching and  Researching Big History: Exploring a New Scholarly Field

Teaching and Researching Big History: Exploring a New Scholarly Field

According to the working definition of the International Big History Association. 'Big History seeks to understand the integrated history of the Cosmos, Earth, Life and Humanity, using the best available empirical evidence and scholarly methods'. In recent years Big History has been developing very fast indeed. Big History courses are taught in the schools and universities of several dozen countries. Hundreds of researchers are involved in studying and teaching Big History. The unique approach of Big History, the interdisciplinary genre of history that deals with the grand narrative of 13.8 billion years, has opened up a vast amount of research agendas. Big History brings together constantly updated information from the scientific disciplines and merges it with the contemplative realms of philosophy and the humanities. It also provides a connection between the past, present, and future. Big History is a colossal and extremely heterogeneous field of research encompassing all the forms of existence and all timescales. Unsurprisingly, Big History may be presented in very different aspects and facets. In this volume the Big History is presented and discussed in three different ways. In its first part. Big History is explored in terms of methodology, theories of knowledge, as well as showcasing the personal approach of scholars to Big History. The second section comprises such articles that could clarify Big History's main trends and laws. The third part of this book explores the nature of teaching Big History as well as profiling a number of educational methods. This volume will be useful both for those who study interdisciplinary macroproblems and for specialists working in focused directions, as well as for those who are interested in evolutionary issues of Astrophysics, Geology, Biology, History, Anthropology, Linguistics and other areas of study.

David Sarna E.Y. History of Greed. Financial Fraud from Tulip Mania to Bernie Madoff

David Sarna E.Y. History of Greed. Financial Fraud from Tulip Mania to Bernie Madoff

Praise for HISTORY OF GREED «David Sarna is a visionary technologist. He is also a sophisticated investor and financier. He has written a readable, comprehensive, fascinating, and well-researched book that explores troublesome aspects of the financial system in a way only an experienced insider could.» —Jay N. Goldberg, Senior Managing Director, Hudson Ventures «A comprehensive review of what has happened to us in our financial markets over and over and over and over again. It's an important history, written with wit and delivered with wisdom. Undoubtedly, History of Greed will become required reading for anyone serious about understanding the capital markets.» —Frederick L. Gorsetman, Founder and Managing Member, Oxbridge Financial Group, LLC 400 years of financial fraud in the making From the earliest financial scams of the seventeenth century, through the headline-grabbing Wall Street scandals of our times, History of Greed provides a comprehensive history of financial fraud. In it, David E. Y. Sarna exposes the true and often riveting stories of how both naïve and sophisticated investors alike were fooled by unscrupulous entrepreneurs, lawyers, hedge fund managers, CPAs, Texas billionaires, political fundraisers, music managers, financial advisers, and even former Mossad agents. From the people behind the financial fraud and how they did it to why people continually fall prey to scam artists, Sarna outlines what actions you can take today to protect yourself from becoming the victim of tomorrow's «too good to be true» investment opportunity. History of Greed details how markets are manipulated, books are cooked, Ponzi schemes are hatched, and how the government only closes the barn door once the cows have all escaped.

10,000 Years of Art

10,000 Years of Art

Following on from "The Art Book" (1994), "30,000 Years of Art" provides an original and accessible way of looking at art. On its publication in 2007, "The Daily Telegraph" described it as 'a bold new publishing event that promises to redefine the parameters of art history'. In this mini format edition of the book, 500 great works of art from all periods and regions in the world have been carefully selected from the original book and are again arranged in chronological order, breaking through the usual geographical and cultural boundaries of art history to celebrate the vast range of human artistry across time and space. The book presents art in a way different from other art history compendia, revealing the diversity, or in many cases similarity, of man's artistic achievements through time and around the globe. Ordered chronologically, the resulting timeline of works leads to compelling browsing: surprising juxtapositions offer intellectual pleasure and a sense of wonder and discovery. The selection of works from across the world, arranged in the sequence in which they were made, takes the reader on a global and historical journey, responding to such questions as 'where does the earliest art appear?' What were artists creating in China or Africa while Rembrandt was painting portraits in Leyden? How were similar subjects - equestrian themes, landscapes, religious scenes - manipulated by artists in Aztec Mexico and Medieval Europe? While artworks from ancient Greece or the European Renaissance or pre-Columbian Americas will be interspersed with contemporaneous works created in Africa, India or Japan, an extraction of the Greek or Renaissance or American works could stand alone as an essential abridgement of the finest art of that period or culture. The selection of works is non-hierarchical and includes both fine and decorative arts - most commonly painting and sculpture, but also textiles, masks, ceramics and jewellery. Primarily functional arts (furniture, architecture, industrial and graphic design etc.) are not covered. Each work is accompanied by key caption information (date, title, place of origin, style or culture, medium, dimensions etcetera), and a text that provides critical review of the work, placing it in its art historical context and thus explaining its contribution to the development of the history of art.

James Gorrie R. The China Crisis. How China's Economic Collapse Will Lead to a Global Depression

James Gorrie R. The China Crisis. How China's Economic Collapse Will Lead to a Global Depression

A controversial look at the impending Chinese economic collapse—the history behind it, its contemporary causes, and its dire implications for the global economy All the experts agree: the 21st century belongs to China. Given America's looming insolvency and the possibility of the collapse of the U.S. dollar, who can doubt that China is poised to take over the role of economic superpower? Written by political economist and leading financial journalist James Gorrie, this book offers a highly controversial, contrarian view of contemporary China. Drawing upon a wealth of historical and up-to-the-minute data, Gorrie makes a strong case that China, itself, is on the verge of an economic crisis of epic proportions. He explains how, caught in a recurrent boom/bust cycle that has played itself out several times over the past sixty years, China is again approaching total economic and social collapse. But with one important difference this time: they may very well take the entire global economy down with them. Explores the Chinese communist party's unfortunate history of making costly and very bloody mistakes on an enormous scale One-by-one Gorrie analyzes those critical mistakes and explains how they may lead to economic collapse in China and global depression Describes Chinese «cannibal capitalism,» and where its massive abuse of the country's environment, people, and arable lands is leading that country and the world economy Chronicles China's history of recurring economic crisis and explains why all the evidence suggests that history is about to repeat itself


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